The following is a little potted something that I give to my students when we are trying to puzzle out what it means to be ‘modern’, to work towards an understanding of what historical continuity connects Hamlet to L20C works like The Unbearable Lightness of Being or Rosencrantz and Guildenstern Are Dead. I include it here as an addendum to my previous post: before you go emailing me about how historically vulgar and Olympian it is, I’d just like to say that it is a bit, yes, vulgar and Olympian, a bit of a caricature of intellectual history. But young students need to see history in such broad bush strokes to care about it at all, to feel it is relevant to their experience of the world as it feels like it stands now. I reproduce it here because, increasingly, I feel, a lot of contemporary literature has abandoned even this vestigial inkling of historical awareness. So many writers today feel as if they can safely ignore the efforts of those who have written before us, those modernists hose who have wrestled with one or another version of this narrative: Joyce, Woolf, Beckett, Brecht, Borges, & etc, are now safely consigned to the dustbin of literary history, so easily forgotten in the search for the next Booker short list nominees. Writers today are free to write in any mode they choose, to write, even, as if 19C realism is in no way compromised or problematic. And yet questions of……
The Arc of Modernity: From Hamlet to Rosencrantz and Guildenstern Are Dead
What I’m Doing Here
Years ago, when I was a very lost first year undergrad, I had an inspiring professor named Dr. Tim McNamara (below) who succeeded at the near-impossible: at getting a motley collection of over-worked young engineering students and military cadets to pay attention in a dreaded, required freshman English survey course. The heft of the Norton Anthology of English Literature that we lugged to class along with our Optics, Mechanics and Chemistry texts, combined with the fragility of its 1000+ onion skin pages (as well as with the impenetrable density of its type), cast an ominous pall over the room as we slouched in our chairs awaiting not Infinite Jest, but Infinite Boredom.
But Dr. McNamara won us over immediately. He did so by showing to us why (and how) Chaucer, Spencer, Milton, Donne, et al. were not just some random resinous garden gnomes who somehow stubbornly insisted upon persisting in the junk-yard of history. No sir! They were, rather, living and -yes- breathing distant relatives, the kind of knowing, naughty Uncle Wise Guys who would wink at you even as they declaimed some important weighty truth about the human condition, the uncles who would “playfully” slap you in the face in one……
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